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Swati Khurana
Swati Khurana is a contemporary artist. She was born in New Delhi, India in 1975. She emigrated to New York in 1977, where she lives and works.〔(【引用サイトリンク】url=http://artasiamerica.org/documents/6930 )〕 She graduated from Poughkeespie Day School in 1993.〔(【引用サイトリンク】url=http://www.poughkeepsieday.org/uploaded/photos/Alumni/Class_Notes/Compass_2013_ClassNotes.pdf )〕 She holds a B.A. in History from Columbia University and M.A. in Studio Art & Art Criticism from New York University.〔(【引用サイトリンク】url=https://iwa.rutgers.edu/programs/mary-h-dana-women-artists-series/40-years-of-women-artists-at-douglass-library/virtual-exhibit/ )〕
== Work ==
Khurana works in embroidery, collage, drawing, and installation, exploring gender and rituals that are particular to Indian immigrant culture. Her videos have been described "delightful, wry" in the ''The New York Times'' and "dreamy" in ''Time Out New York.''
In the "Texting Scrolls" project, Khurana transcribes viewers' text messages into handmade scrolls. "Texting Scrolls" has been part of the Art in Odd Places festival,〔(【引用サイトリンク】url=http://www.artinoddplaces.org/aiop-model-photo-retrospective-part-1/ )〕 Kriti Festival at University of Illinois-Chicago, "A Bomb, With Ribbon Around It" exhibition at the Queens Museum, Dumbo Arts Festival.,〔(【引用サイトリンク】url=http://www.sawcc.org/photos-from-sublime-at-dumbo-arts-festival/ )〕 and Brooklyn Museum.〔(【引用サイトリンク】url=http://www.brooklynmuseum.org/press/uploads/March_2014_FSAT_Press_Release.pdf )〕 For Parijat Desai Dance Company, Khurana co-designed projections for 'Songs to Live For' with Neeraj Churi, staged at Tribeca Performing Arts Center, where "eternally calm and august figures—exalted Mughal royalty—watch in painted silence as the dancers bring to life scenes of the age-old story of love and devotion."〔(【引用サイトリンク】url=http://www.dance-enthusiast.com/get-involved/reviews/view/Parijat-Desai-Dance-Company-PDDC-3242010 )〕
In the essay "Seducing Structures and Stitches: Reappropriating Love, Desire and the Image," Uzma Rizvi wrote that "the stitched canvases of the 'Bridal Trousseau' series are both retro-feminist and very contemporary. Needlework, in itself, is a heavy referent within a postcolonial feminist context. These canvases are literally stitched images of the self."
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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